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A remarkable and engrossing account of medieval England's epic conflict with France.

From 1337 to 1453 England repeatedly invaded France on the pretext that her kings had a right to the French throne. Though it was a small, poor country, England for most of those "hundred years" won the battles, sacked the towns and castles, and dominated the war. The protagonists of the Hundred Years War are among the most colorful in European history: Edward III, the Black Prince; Henry V, who was later immortalized by Shakespeare; the splendid but inept John II, who died a prisoner in London; Charles V, who very nearly overcame England; and the enigmatic Charles VII, who at last drove the English out. Desmond Seward's critically-acclaimed account of the Hundred Years War brings to life all of the intrigue, beauty, and royal to-the-death-fighting of that legendary century-long conflict.

"Mr. Seward shows us all the famous sights of those roaring times . . . and illuminates them with an easy scholarship, a nice sense of detail . . . and a most agreeable clarity of style." -- The New Yorker

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A remarkable and engrossing account of medieval England's epic conflict with France.

From 1337 to 1453 England repeatedly invaded France on the pretext that her kings had a right to the French throne. Though it was a small, poor country, England for most of those "hundred years" won the battles, sacked the towns and castles, and dominated the war. The protagonists of the Hundred Years War are among the most colorful in European history: Edward III, the Black Prince; Henry V, who was later immortalized by Shakespeare; the splendid but inept John II, who died a prisoner in London; Charles V, who very nearly overcame England; and the enigmatic Charles VII, who at last drove the English out. Desmond Seward's critically-acclaimed account of the Hundred Years War brings to life all of the intrigue, beauty, and royal to-the-death-fighting of that legendary century-long conflict.

"Mr. Seward shows us all the famous sights of those roaring times . . . and illuminates them with an easy scholarship, a nice sense of detail . . . and a most agreeable clarity of style." -- The New Yorker

• 作者：高尔康 发布时间：2011-01-07 14:58:30

  有些基本的时间地点不太对得上

• 作者：就叫我艾斯吧 发布时间：2023-11-05 21:38:34

  讲了基本的概念性东西，很多实操还是要自己摸索

• 作者：挪威森林去旅行 发布时间：2023-04-06 18:35:58

  按照作者的思路，人类直接退回奴隶制社会好了，那样更有效率！再看看作者的出生日期，有这种想法也就不奇怪了！

• 作者：咖啡牛奶 发布时间：2020-09-11 14:44:19

  书本身的内容还可以，但这个翻译是机翻的吗？！

• 作者：小佳 发布时间：2019-12-31 17:33:58

  在这个小说中，不寻常的何止是这些尸体，还有活着的人，也处处透露着诡异。

• 作者：猛汉世雄 发布时间：2011-01-03 13:42:57

  啊啊啊啊~~LING阿姨~~~果然是爱啊爱啊~~

• 故宫游览

  作者：杜泵 发布时间：2011-02-11 21:44:47

• 换个角度看日光之下的旧事

  作者：奥拉鱼 发布时间：2021-04-13 17:13:22

  看到五分之四的时候，蛮以为已经开始抽丝剥茧畅快淋漓的揭晓所有谜团了，结果最后笔锋一转，黄君梅回来了。

  前面输入到脑海的情节狠狠一震，抖落出所有关于熊正林的叙述……关于 熊跟着小山看到玉兰背上插着刀，小山平静地说出：“她太痛苦了，我帮她解脱了”的描述，与黄君梅与王克飞说到“那时候陈海默已经歇斯底里了”的描述对应起来； 《呼啸山庄》里面关于“你不在了，无论世界多么美好，都了无意义（大意）”的摘录，与熊正林站在港口扔掉凤冠底座从此与幸福无缘的场景联系起来……我不禁把这个语焉不详的结局，理解为，熊正林最终还是杀了陈海默。他爱她至深，已并非常人的爱了，或者说熊也并不是你我用常规思维可以理解的人。他最终为了她能解脱，帮了她。

  抛开悬念设置不说，这故事最让我感到惊艳的是王克飞这个人物的设置。他刚好是一个趁政局的乱走了一些偏门获得了一点不大不小权力的“普通人”，起初他为了欠着的人情、或者更平稳的官路、或者一些金钱利益制造了一些冤假错案，随手拿一个底层人做牺牲品。后半程他成为了牺牲品，想起了曾经被他用权力劫走了真相的那些小人物，第一次真正地理解了自己处于所谓的“无奈”“麻木”做出的一些“所有人都会做”的事情，对于那个小人物来说是怎样巨大的无助和委屈。看到这里不禁想象一个人类学学者在广泛的田野中见到的人生百态和对日光之下的这些旧事的反思，看到了人文关怀，不禁感动。