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永远到底有多远，你我心中仅只一只笔与一个本的距离。

以台湾著名绘本作家幾米作品《星空》为蓝本设计制作的笔记本《永远》，让幾米的图像真正走进我们的生活，让我们的工作与学习充满幻想与浪漫，字里行间渗透满满的幸福。

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海豚出版社拥有幾米签约作品30余部，共出版幾米绘本50多个品种，熟悉幾米作品的读者应该都读过海豚版本的幾米绘本。2014年，海豚出版社正式获得幾米绘本图像使用授权，把幾米的经典绘本图像开发成各种可爱的笔记本以及精美的礼品书，敬请各位读者关注。

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在线阅读地址：永远在线阅读

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书籍介绍

永远到底有多远，你我心中仅只一只笔与一个本的距离。

以台湾著名绘本作家幾米作品《星空》为蓝本设计制作的笔记本《永远》，让幾米的图像真正走进我们的生活，让我们的工作与学习充满幻想与浪漫，字里行间渗透满满的幸福。

• 作者：诸镇凝 发布时间：2014-06-17 22:39:28

  现在骗钱的东西真是越来越多，而且，我真的不是很喜欢幾米。

• 作者：若彩虹 发布时间：2022-12-21 13:49:08

  星空同系列中本子 永远

• 作者：困小困 发布时间：2014-05-28 14:19:15

  幾米主题笔记本第一番——星空系列：永远

• 作者：祁嘟小嘟 发布时间：2021-03-28 15:59:38

  蓝色很适合夏天

• 作者：ln不分星人 发布时间：2019-04-26 16:35:27

  陪伴一年的日记本啊！豆瓣居然还能找到，厉害了～这个本子超级好看，里面几米的插画很多～

• 作者：可达君 发布时间：2009-06-03 12:32:07

  没什么好或者不好，文学的不文学，资料的不资料，不是我喜欢的那杯茶。

• “离家出走指导手册”

  作者：Pares 发布时间：2006-01-31 22:01:08

     这本书讲了一个12岁女孩克劳蒂和她9岁的弟弟一起离家出走的故事。

      离家出走，是我少年时众多不切实际的幻想之一，第一次读〈天使雕像〉，我和克劳蒂是一样的年纪。只是在我生活的城市并没有什么可供藏身的博物馆，我也没有离家出走的理由。

      克劳蒂不过是抱怨每天只有很少的零花钱却要做很多的家务，日复一日的刻板生活让她觉得无趣，所以她要离开。但最后回家时，克劳蒂心里怀着一个很大的秘密，关于米开朗琪罗的那尊天使雕像的秘密。

      这个秘密的意义并不单是在于其本身，她还是一次隐蔽的成长。即使有些含糊不清，但克劳蒂从此的生活就开始不一样了。

      我小的时候，称这本书为“离家出走指导手册”。

• On Lust for "Life"

  作者：Aheadoflettuce 发布时间：2020-06-06 20:05:36

  文章的写作背景是60s, 70s的新左思潮和counterculture movement, 尤其是student rebellion, 本文是对运动中出现的暴力因素及其"理论指导"的反思。

  阿伦特将该运动理解为 A rebellion against the ruling bureaucracy, the rule by Nobody, before which everyone is equally powerless, whose “faculty of action”- what makes him a political and meaningful being - is paralysed.

  引用捷克作家Pavel Kohout的话，阿伦特认为为了对抗体制之重 - the self-defeating biggness, the impotence of power - 世界呼唤新的政治榜样。 然而，尽管阿伦特花了大量篇幅论证：Much of the present glorification of violence - by Sorel, Fanon, Satre and Vilfredo Pareto -

  is caused by severe frustration of faculty of action in the modern world, and by sheer rage against the hypocrisy of the big system

  ,

  她仍然认为“this new example can hardly be set by the practice of violence."

  通过对“暴力”这一概念的辨析（violence, as distinguished from power, strength, force and authority), 以及对她那个时代种种褒扬暴力的理论家的思想传统的整理，

  阿伦特指出将暴力抽象化、视为隐喻、视为动物本能、视为达成政治目的的可靠手段的谬误和危险

  。其中两个论点令人印象深刻：

  1. The real culprit for violence being glorified by New Left theorists is the myth that violence, as "a life-promoting function", would refresh life's creativity, liberate productivity and foster "new moral qualities" (thus should be duly used in revolutions), which she refuted by scrutinizing the idea of "Man Creating Himself" in the tradition of Hegelian and Maxian thinking, by clarifying the development of the notion of "progress", and by proving that "violence can destroy power, yet is utterly incapable of creating it."

  2.The fact that violence can be rational, realistic and reasonbale and thus justifiable is hardly noticed (rather, people tend to think violence is irrational and beast-like by nature), yet even when violence moves rationally during political enterprises, there is always the danger that it pays indiscriminately, and that the means overwhelm the end once goals are not achieved rapidly. "Violence changes the world, but the most probable change is to a more violent world."

  因此，回到“树立新榜样何以可能”的问题上，阿伦特认为 "it looks as though the setting of a new example will have a chance, if at all, in a small country, or in small, well-defined sectors in the mass societies of the large powers."

  文末，阿伦特再次强调 the authentic power source in a country is its people. (如同她在前文指明的：Power always stands in need of numbers, whereas violence relies on implements. And implements can change hands once the power system disintegrate.)

  摘一段结语：

  "Again, we don't know where these developments will lead us, but we know, or should know, that every decrease in power is an open invitation to violence - if only because those who hold power and feel it slipping from their hands, be they the government or the governed, have always found it difficult to resist the temptation to substitute violence for it."