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　　1、 日本国民动漫、无数人的童年记忆、“樱桃小丸子之母”樱桃子亲手绘制的《樱桃小丸子》四格漫画，全本正版授权，万众期待，国内首次引进！

　　2、妙趣横生的小丸子的生活，爱她的爷爷、喜欢喝酒的爸爸、容易胖的妈妈、各位有趣的同学，无忧无虑的童年，爱与温馨是其主题，充满着十足的正能量。

　　3、完整保留日版漫画原貌（1、2册黑白，3~13册全彩），原书等大精巧开本，便于携带，是送给小朋友陪伴其快乐童年的*好礼物，也是所有看《樱桃小丸子》动画长大一代人的收藏佳品。

相关推荐：

高大上的樱桃小丸子全集（13册）珍藏版 点击购买。

蜡笔小新全新合集（17册）完结篇 点击购买。

• 作者：tsubomi 发布时间：2010-01-14 10:16:31

  O型的男子宜娶A型的女子。若是女的，正与此相反，就是说，AB型的女子有个A型的丈夫会幸福美满的。

• 作者： 发布时间：2021-01-07 20:17:25

  -_-想窺探胡適感情生活的可以不用看此書。裡面多是日程、讀書心得、時政見解，還有別人罵自己的文章。當然也有好友往來書信，以及部分講稿、隨筆。個人感覺胡適在寫日記的時候，就已經有意識地把它視作微觀史料來紀錄了。不然也不會把某地的兵力部署、人口分布、人均收入這些事都寫在日記里。最後想說沈尹默和王雲生罵胡適時的語氣套路，跟現在某些「高知」人士一模一樣。太陽底下無新事，包括罵人。

• 作者：一口吃掉小蛋糕 发布时间：2009-07-25 16:50:38

  最爱埃菲尔铁塔~

• 作者：不吃葡萄不吐皮 发布时间：2023-08-06 23:40:13

  浅浅学习了一个周末，对ppp项目的架构和实施有了基本的了解。但本书对于各个项目的一些特殊操作说明不够详尽，仍有一些谜团没有解开

• 作者：星辰大海 发布时间：2024-03-23 15:02:22

  很有价值的税务书籍

• 作者：1968小金 发布时间：2023-05-13 11:25:36

  肃穆。

• love!

  作者：Y 发布时间：2011-10-31 21:44:27

  “她告诉他，当天上的白云，

  变成一朵小花，或是一颗爱心的时候，

  他才可以吻她。”

  多美丽的谎言，如范晓萱唱的rain“你说雨下到天明，我们就在一起”

  单纯善良的人们总是一厢情愿地相信着自己爱的人口中的“如果”。但或许，爱情里没有那么多如果…或者没有机会有…

  **************************

  “他幻想自己是

  爱情小说里忧郁深情的男主角，

  总是在故事结尾

  错过那班与幸福远走高飞的飞车，

  留下自己呆立在月台。

  风刮起无限怅惘…

  夕阳慢慢地落下…

  然后哀伤地告诉别人，

  他刚结束了一场刻骨铭心的世纪恋情。”

  其实很多“刻骨铭心”都不过是自己的想像，好安抚自己假想悲剧的伤感…

  **************************

  “她深深相信一见钟情的浪漫，

  期待自己能谈一场惊天动地的恋爱…

  她一直在找寻与众不同的男人，

  只可惜，都市男人既无趣又懦弱，缺乏狂野的魅力…

  她认为爱可以跨越一切障碍，

  爱情是没有任何年龄、性别、种族

  等等因素可以阻挡的…”

  幻想太美好，就会离幸福越远…是这样的吧？！

  **************************

  “当他忽然将我抱起，满天碎花如落雨洒下，

  在周遭的喧闹祝福声中，我才赫然惊觉，这一切都是真的。

  一路迷糊犹豫、半推半就的个性，终于让我铸下大错。

  怎么办？已经来不及了，我根本一点也不爱他。

  我泪流满面，他却以为我是喜极而泣…”

  我们坚持着，或许只是为了那一刻不会有犯错的罪恶感吧…

  **************************

  “整个下午她都坐在那儿，痴痴望着一只飘流到她脚边的瓶子。

  她终于在夏日的海边，遇到了浪漫爱情的开始，

  她内心不断挣扎，害怕自己一旦将它拾起，

  她的命运将从此完全改变。

  直到夕阳西下，潮水退去，她仍坐在那里默默流泪…

  这是她最后的机会了，她却依然不敢轻易开始…”

  这样的恐惧绝对不是无来由的…但走出这种恐惧只能靠自己…

  **************************

  “她一直没告诉他，她是在他不顾危险，

  坚持为她摘下花儿的一刻，才下定决心要离开他。

  她无法忍受这种粗蠢俗烂的爱情…”

  在爱情里，没有人知道怎样才算恰到好处吧…唯一填不满的是人永无止境莫名其妙甚至无理取闹的欲望…

  **************************

  “当我们决定就这样荒唐地靠在一起时，

  悲剧已然开始。

  我的重心渐渐地移到你身上，

  而你的平衡也依赖着我的重量，

  我们畸形地相依偎着，一如我们残缺的爱情，

  谁也不会倒下，却谁也站不直，

  谁也离不开谁了…”

  没有人知道两个人在一起怎样的姿态更好…

  谁也未必比谁好过一些…

  **************************

  几米：

  关于爱情，我无话可说

• An interview (complete version)

  作者：momo 发布时间：2016-12-24 22:49:47

  1.This cute book consists of mainly two parts, troubles and novels, which leads to a chicken-or-the-egg question: which catalog came first? And since both of them are really infinite, what made you finally stop at number 751 and call it a book?

  We began by making a list of ailments that we thought would be fun/challenging/entertaining/ possible to cure with literature. Then we wrote a list of all the novels that we had found to have been transformative in our own lives, and looked to see which novel could cure which ailment. Mostly it was very clear to us what a novel could ‘cure’ – such as Jane Eyre for a broken heart, and Don Quixote for lethargy. But sometimes we had to hunt a cure down, and that led us to novels we hadn’t read before. ‘Fear of death’, for instance, led us to the wonderful ‘White Noise’ by Don Delillo. Some novels, such as Anna Karenina, could have cured dozens of ailments – from jealousy and madness to divorce – because there’s so much of life in there. Perhaps ironically, we ended up using it for ‘Toothache’ (it’s pretty good on that, though!).

  Actually we didn’t stop at 751- we had about double that number of ailments and cures to begin with, and wrote most of them, too. We were just having such fun writing them, we didn’t want to stop! Our editor forced us to cut the book down – we had to make it a size that someone could pick up and read without feeling overwhelmed. At least we have enough for a second edition!

  2.Did you actually read all the novels in the book? Can you tell us some personal cases that novel actually cures?

  Yes we did read all the novels in the book! The novels we included offer a pretty good snapshot of the bookshelves in each of our homes. These are books we have loved, and kept, and go back to. We both listen to a lot of audiobooks in order to keep up with what’s being published, these days, too. Audiobooks are a great way to drip-feed in a book when free time is scarce, as it seems to be for most people these days.

  Ella: I can tell you from experience that Zorba the Greek does cure exhaustion. Many is the time that I have been nodding off at my desk, and have picked up Kazantzakis’ novel and read the passage in which Zorba dances through his exhaustion after having been awake for two days. This inspires me to dance wildly around the room for a few minutes, then return to my desk newly invigorated. In fact, I did it just now to wake myself up…

  I also often use Roxana by Daniel Defoe as a spur to make myself throw a party. Sometimes I realise that I have become lazy about entertaining, and have not had any friends around for some time. Then I pick up Roxana and remind myself how much fun it is to have guests around… next thing is I’m trying on party clothes, making a guest list, making sure I’ve got wine in the house...

  Susan: I suffer from procrastination and found The Remains of the Day a really effective cure. The main character is a butler – very stiff and formal and buttoned-up, who keeps putting off the moment of showing his feelings for the head maid, even though she would clearly welcome his interest. By the time he realises what he feels for her – what he’s always felt for her – she of course has long been married to somebody else, and it’s all too late. It’s terribly sad – and it makes you realise that the reason we put things off is not because we can’t do them, but because of the negative emotions that we’ve attached to them: fear of failure, fear of rejection, fear of being vulnerable. Once you understand that it’s just fear that’s in the way, rather than the thing itself, it’s easier to push the negative emotions aside and see the thing for what it is.

  I’m also a novelist and I use our cure for writer’s block (I Capture the Castle by Dodie Smith) whenever I’ve got out of the practice of writing fiction. It works every time!

  The first few pages of Mrs Dalloway are also a wonderful, rousing way to help you get up in the morning in winter in England… and I love reading The Old Man and the Sea whenever I’m feeling stressed - first the rhythm slows you down, and then the story reminds you that the important things in life take time, and patience, and attention.

  3.This book certainly is a good recommending list and also an enjoyable read per se, for college students (or “intellectual youth”) especially, which reminds me of a joke from the film Liberal Arts(2012): a dude felt lonely and refused the recommendation of reading Infinite Jest (allegedly contains everything to do with loneliness) and said if he were to spend the time reading the brick he'd be doomed to be more lonely! The paradox of reading is always there since reading is not the same as living. How do you think about that?

  Ella: That is a very good point that you make - particularly in relation to Infinite Jest. The tendency to read instead of live is one that all bookish people experience at times, and must wean themselves off in order to have a successful life. We have a section curing this problem in one of our ‘reading ailments’, called Read instead of Live, tendency to. We recommend that you check yourself regularly, and if you find that you are reading more than you are living, you need to take stock. Put some of your reading experiences into your life - take a trip on a camel, like Aunt Dot in the Towers of Trezibond. Go and see a friend instead of posting them a letter, like Harold Fry in the Unlikely Pilgrimage of Harold Fry. Follow your dream, like Priscilla in Jitterbug Perfume. Reading should inspire you to live more fully, not less. A simple rule is to make sure that reading doesn’t take up more than 50% of your time...

  Suse: I would argue that reading plunges us deeper into life, and enables us to make connections with other lives – and to live more lives than just our own – in a way that we couldn’t hope to do in normal life. Italo Calvino’s ‘If on a Winter’s Night a Traveller’ is a good reminder that books link you to other readers – all the other people who have read the book you’ve just read have known what you’re experiencing – you have an immediate bond with them! What a thing to share with other people – people you’ve never met! And they also link you, in magical time- and continent-travelling ways, to the author. Novels are a unique art form in that they offer an intense one-on-one relationship with the author who, if he or she is being really honest and delving deep, will be exploring the sort of emotional and spiritual territory which doesn’t necessarily come up in day-to-day conversation – subtle things about the experience of being a human being in the world today. I like to think that if you spend a month reading War and Peace, you’ve basically spent a month hanging out night after night with Tolstoy, drinking vodka, comparing your views on people and how they respond to life, and putting the world to rights!

  4. Is it good for novelists, who are supposed to permit ambiguity instead of being direct and clear, when writing, to have a goal of curing readers? Will that make one bad novelist?

  Suse: I don’t think any good novelist starts out with the aim of ‘curing’ a reader – or even of sending them a ‘message’. When I wrote my two novels, I certainly didn’t think about whether I could help a reader stop smoking, or biting their nails, or get on better with their mother-in-law. In fact, helping the reader in any way was the last thing on my mind. I wanted to write about my own experience of being alive – and represent what I noticed, experienced, imagined, through my characters. But I think that if a writer manages to capture something true about the human experience, then that will ring bells for other people too. We are not so very different from each other, really. We all go through the same phases in life – and age in similar ways. I find it really wonderful that I have so much in common with writers from other countries, and other eras - that they notice things about people that make me go ‘yes, I know people like that!’

  Both: We love novels that surprise the writer as much as the reader in their final form. Many writers will say that their characters took them over and led them in a totally different direction at some point during the writing. We suspect that Thomas Mann had no idea where The Magic Mountain might take him, and that Virginia Woolf was led by the hand by Mrs Dalloway, rather than the other way round. Perhaps their intentions may have been echoed in the finished product, but a lot more that they didn’t expect, besides. Moby Dick, for instance, began as a marine adventure, but by the end it’s a philosophical masterpiece.

  Most of our cures offer solace by showing you you’re not the only one who has suffered in this way, or found themselves in this situation. Some of our cures offer a practical solution – such as our cures for obesity (Muriel Spark’s A Far Cry from Kensington, and Pereira Maintains by Antonio Tabbuchi). But those solutions are in there by chance, not delivered up by the author intentionally. Novels cure by accident, not by design. It’s our job as bibliotherapists to identify which novels make the best cures for which ailments.

  5. Self-help books as well as the so called chicken soups for the soul are immensely popular these days, surely more popular than most novels. Nowadays when people want to find a role model or a story to learn from they are more likely to turn to real people/events(or so they think). So what do you think in the end is the magic of fiction?

  Suse: We started giving novels to each other during the Nineties, when self-help books were enjoying a boom in the UK. I remember reading one called Feel the Fear and Do it Anyway by Susan Jeffers, which was a huge seller at the time. It was pretty good - encouraging people to do what it said on the cover. But then I picked up To Kill a Mocking Bird by Harper Lee, and realised that this was an enactment – a dramatisation - of the very same exhortation. Atticus Finch ‘feels the fear and does it anyway’ when he shoots the rabid dog in the street where his children are playing: he has one shot, and his hand is shaking when he raises the gun to his eye, and he does it. And of course he is ‘feeling the fear and doing it anyway’ when he stands up for the young black man accused of rape, standing against an entire community intent on finding the man guilty. I don’t remember anything about Susan Jeffers’s book now except for the title; but I’ll never forget Atticus Finch and his courage. We still use this as our ‘cure’ for not feeling brave. It’s impossible to read it and not feel like his courage has rubbed off on you – that you, too, would have the courage to stand up for what you believe if you were called upon to today.